I mentioned that when I was in LA I visited the Japanese bookstore of my dreams, Kinokuniya in Little Tokyo. Boy, was I a good girl: I got out of that crack house with change from a Benjamin. Most of my moolah went towards one item: The Art of Paper Folding for Pop-up , by Miyuki Yoshida.
It contains thirty stunning examples of paper cutting/origami pop-up inserts for cards, from so simple I could get it, to those so elegant and complicated that they require the skills of a sushi chef and a mechanical engineer. In fact Yoshida gives her profession as “paper engineer.” I’m more like a paper hod carrier, an I proved it again today.
You see this is one of those too cool for school “art” not “craft” books. There’s a short author bio and thassit — not one line of type. No dedication, no acknowledgements, and certainly no directions! You’re given the elegant finished product, then you’re on your own.
I chose the first example which calls for but one cut and five folds. I spent some time with a T square and a pencil, a watercolor pencil and a pair of scissors, and loved the result. Here’s a kiss to my favorite card maker:
Cute, huh? A talking mouth or a cheeping beak? But the experience was enlightening: I was making it too complicated and I was doing it backwards! Hey, maybe I inherited one tiny engineering gene from my father, a chemical engineer who spent his professional life in the newsprint business. That makes him a paper engineer, right?
OK, I cheated. Drawing that perfect square on the spine of the card was a pain. Of anyone I know, who owns more square colored stuff? Why moi: origami paper, and thanks to my friend Priscilla, small squares. So I decided to make a trio of cheeping beaks, suitable for Easter or National Poultry Week.
Step one: Paste the squares, diamond style, on the spine of the card:
Draw a faint line in pencil across the center of the diamond. Fold the card, and cut across the line:
nd here’s the genius part: turn the card inside out so that the colored squares are on the inside. Fold the sides downward , in what in origami-speak is a valley fold. The center lines should be pinched upwards , in a mountain fold, which the refolding of the spine encourages. This is helpful: what the pop-up looks from the wrong side:
So, bored during a thunderstorm. I trotted out my essential, in too many ways to mention, paper. I had to figure something out, and realized I was making it hard for myself. Then I conjured my paper engineer and made myself laugh. Funnnnn.